Strobo-Rotography Abstract

Canon 20D, Canon 24-70L IS @50mm f/9 1 s
This image was created through a combination of two techniques
I've been experimenting with: photographing rotating objects
(which I've called rotography for fun), and illuminating subjects
with strobe light (hence 'strobo-rotography'). Photoshop
compositing was also involved.
The final image looks very different from what I started with,
so I thought it might be interesting to explain how it was done.
Step 1
I started with this image: a rotating spoon illuminated with
strobe light timed so as to show the spoon not continuously
but rather at a series of discrete positions.

Step 2
I then cropped to eliminate everything but the hurricane-like
pattern created by the tops of the spoons, and added some color,
yielding this image:

Step 3
I then copied the preceding image, flipped it horizontally, and
changed the color to blue:

Step 4
Next, I combined the images from steps 2 and 3 so that they
partially overlapped:

Step 5
Then, I copied the image from step 4, flipped it vertically,
and combined it with the step 4 image:

Step 6
Finally, I copied the step 5 image, rotated it 90 degrees, and
combined it with the step 5 image to produce the result shown above.



8 Comments:
cool image - thanks for the tutorial too! reminds me of a toy called a spirograph that I used to have when I was little. I think they still sell them on amazon!
Wow! Truly inspiring. Thanks for the explanation - that is really some creativity at work and the result is beautiful!
very interesting and cool effect. i like how you name the techniques as well.
Wow, you do same amazing stuff. I can't decide if you're a genious, or demented, maybe both? Where do you come up with these ideas?
You've heard that imitation is the highest form of flattery? Maybe I should strap one of my kids into a centrifuge and see what kind of shots I get. Hmmmm, could be interesting.
;-)
While I find the effected images interesting, I have to say I much prefer the original image. For me it is abastract enough to strike my imagination, but real enough to keep me interested. It's like the "suspension of disbelief" that writers must keep in mind while spinning a story...the reader will follow along if there is at least some anchor to reality and what can happen in the real world. Your processed images are just a bit past that line for me.
Thanks again for the comments, everyone. G.N., I'm not sure I'd recommend trying one of your kids in a centrifuge, that could get messy. Matt, I appreciate your giving me your honest opinion.
Both a de-saturized cropped version of step 1 and the final result are good, albeit different. Your technique is intriguing, and produces results that are very creative. I don't think there is a point where one has to stop in the creative process: both an abstract tied to reality and one product of many manipulation have their area of interest and fill different creative purposes.
G.N. maybe you should try to give the camera to the kid in the centrifugue and see what shot comes out ;-)
Nordy is this you I played golf and your name came up. I'll check the site and see if you are you.
DOUGOUT McKenzie
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